Language: Bering Strait Iñupiaq
Language: North Slope Iñupiaq
These might be used for Eskimo dancing.
—Marie Saclamana, 2001
This King Island mask represents a woman, her hair parted for braids. It was acquired with two male masks as a set, all probably made by the same artist and used together. Its meaning within King Island’s rich heritage of dance and ceremony has not been identified. For the “Competition Dance” men wore women’s clothing and masks to hide their faces, and women danced disguised as men; it seems possible that this mask was used for that purpose.
Region: King Island, Alaska
Object Category: Ceremony
Dimensions: Length 30cm
Accession Date: 1882
Source: E. W. Nelson (collector)
Museum: National Museum of Natural History
Museum ID Number: E064227
This female portrait mask, purchased on King Island by Smithsonian collector Edward W. Nelson in 1882, has not yet been specifically identified by contemporary Elders.
In the book King Island Tales, Frank Ellanna of King Island described some of the many songs and dances that people of this Bering Sea island traditionally performed during mid-winter, or Sauya.tuġvik [the Time of Drumming].(1) For the “competition dance,” men wore women’s clothing and masks to hide their faces, and women danced disguised as men; it seems possible that this mask was used for that purpose. Dancers wore different types of masks and special regalia for the Wolf Dance, Polar Bear Dance, and other performances.(2) When not in use, masks and drums were hung up in the qagri [community house] .(3) Masks were used throughout the Iñupiaq region for the Messenger Feast, whaling festivals, and other social and religious ceremonies.(4) The King Island Singers and Dancers, Northwest Iñupiaq Dancers, and other groups carry on the traditions of Iñupiaq dance.
1. F. Ellanna 1988a:85-87
2. Kingston 1999: Ray 1977:12, 124-25
3. Rasmussen 1927:348
4. Murdoch 1892:366-69; Ostermann and Holtved 1952: 131-35; Rainey 1947; Spencer 1969:221, 293-94
5. Kingston 1999